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  • PaintLog
  • Mermay 2023
  • Arrivals
  • Witchphibians
  • Arcryla City 🇬🇧
    • Cristallina Coralia Faith – „Crissy“
    • DTIYS 🇬🇧
    • Summer Festival 2021
    • Fantasy Festival 2022
    • Tales from Arcryla City
    • Valentine’s Event 2022
  • Favorites 🇬🇧
    • Best of 2023
    • Best of 2022
    • Best of 2021
      • Summary of Art 2021 🇬🇧
    • Best of 2020
  • Original Characters (OC) 🇬🇧
    • ZodiOCs
    • Jack’Hill’N’Haid 🇬🇧
    • Mermay 2021 🇬🇧
    • Merindiana Jane
    • Nema + Merdusa
  • Fanart
    • The Owl House 🇬🇧
      • The OwlLog 🇬🇧
      • The KritzOwl Toon 🇬🇧
    • RWBY
      • The Desert Dolphin
    • Amphibia
    • Arcane 🇬🇧
    • Breath of the Wild
    • #SchleCoZ
  • Challenges
    • DTIYS
    • Linktober 2021 🇬🇧
      • Chapter 1: Spring Island
      • Chapter 2: Summer Island
      • Chapter 3: Fall Island
      • Chapter 4: Winter Island
      • Chapter 5: Showdown
    • 4WeeksMermay2022
    • Old Pages (German Challenges)
      • Oktobertinten
      • Glas voll Ideen
      • Catember
      • #ichgebeauf
  • Cedrakon
    • Cedrakon – The Comic 🇬🇧
    • Einleitung
    • Kapitel 1
    • Kapitel 2
    • Die Welt von Cedrakon:
    • Charaktere
    • Land und Länder
    • Volks und Völker
    • Kreucher und Kräuter
  • Kritzelswelten (German)
    • Originalcharaktere (OC)
      • Cosmothra
    • Fantastic Worlds
      • Dragons
      • Mermay
    • Cartoons
  • Ko-fi

Nema + Merdusa

Digital painting, comic style: A character sheet of the Medusa mermaid Merdusa, light, pergamentlike background, Merdusa in the bottom right half of the sheet in front view, she's a mermaid whose lower body part is the body of a white sea snake with yellow stripes, the end of the tail is flattened. She's got snakes instead of hair. The arms ar crossed, she is looking out of the corner of the eyes to her right, there is grey rimlight and a grey shadow beneath her, in the background a pale school of fish; in the upper left half of the painting text: "Merdusa - Stunning Stone Queen of the Sea -; Aristocratic ancestry; Soft but resistant skin + scales, mimicking stone surface; Lower body of a sea snake, poisonous snakes as hair; The poison petrifies whoever get bitten by them, it also can be spewed into the water for broader (but less effective) impact (this rising the rumor, just looking at her would turn everyone to stone); She has a no-nonsense attitude to life but at the same time she is attracted to nonsense; This leading to her love-hate relationship - well, more love than hate - with Nema, the clownfish mermaid, but she won't admit her affection for Nema easily.

Merdusa

Digital Painting, Comic style: Below sea level, sea's bottom, rather dark water, "Merdusa" in front view, a mermaid whose lower body part is the body of a white sea snake with yellow stripes, the end of the tail is flattened. She's got snakes instead of hair. The arms ar crossed, she is looking out of the corner of the eyes to her right, in the foreground are some water plants, in the background some blurry rocks, a school of fish can be seen in the upper left corner, water and light are creating a pattern on Merdusa's skin and hair.
Mermay3, "Coral", digital painting, comic style: Nema, the clownfish mermaid with short orange hair standing behind a big red coral in front of a lot of sea anemones. In the right corner of the painting Merdusa, the Medusa mermaid (greyisch blue skin, white snakes on her head, white tail with yellow spots) crossing arms, text: M.: "Still not ready?" - N.: "DON'T peep!" - M.: "In your dreams."
Digital Painting, Comic style, monochrome, dark blue colour, bright background: In the left half of the painting there is Nema, a mermaid with short hair and the lower body and colour of a clownfish. She wears sea anemones as bikini top. She is leaning on a big stone and is starring fascinated to a shiny light orb in the top left corner of the painting. You also can sea giant teeth near her. Merdusa's arms are crossed and she has an annoyed facial expression. She swings her tail, Nema catching at hips height. Headline: "Nema and Merdusa: Best F(r)iends helping each other"
Digital Painting, Comic style, monochrome, dark blue colour, bright background: Merdusa, a mermaid with the lower body of a snake and snakes as hair, in side view, face turned to the right side of the painting, the snakes are showing their teeth, in the background a petrified sea horse and a petrified ray; topic: "Commuting Travel + Teeth", text: "Merdusa on her way to work".
Digitalzeichnung, Comicstil: Unter Wasser, Meeresboden. "Merdusa", eine Meerjungfrau mit dem Unterkörper einer weißen Seeschlange mit gelben Streifen und Schlangen staat Haaren. Sie hat die Augen geschlossen und richtet ihr Schlangenhaar. Im Hinter- und Vordergrund sind steinerne Figuren zu sehen, teils mit Algen überwachsen. Der Hintergrund ist das Blau des Meeres, von rechts oben dringt weißes Licht hinab.

Nema

Mermay 30, "Crown", digital painting, comic style: Nema, the clownfisch mermaid, standing behind the the big heap of golden coins, jewels and necklaces from Mermay 2. She is holding the scepter in the left hand and some coins in her right hand, looking on the sceptre with bright, shiny eyes. On her head is a crown. Dark blue rock formations in the background as well as the dark shadow of Captain Tigra Selachii approaching from behind. Title: "Nema's Gambit"
Mermay 26, "Cowrie", digital painting, comic style: Nema, the clownfish mermaid with short orange hair. She is wearing a red brown bra made of sea anemones and jewelry made of cowries on the head, the wrists as top and as belly skirt. Voice coming from the off: "Thought you were ready?" - "I am!" - "Suits you.", title: Changed again
Mermay 18, "Scepter", digital painting, comic style: Nema, the clownfisch mermaid, standing behind the the big heap of golden coins, jewels and necklaces from Mermay 2. She is holding the scepter in the left hand and some coins (some of them falling down) in her left hand, looking on the sceptre with bright, shiny eyes. Dark blue rock formations in the background. Title: "Entering the Tigress' Lair"
Mermay6, "Shells", digital painting, comic style: Nema, the clownfish mermaid with short orange hair wearing a blue and green shiney belly top and skirt made of shells, title: "Nema in Shells"
Mermay3, "Coral", digital painting, comic style: Nema, the clownfish mermaid with short orange hair standing behind a big red coral in front of a lot of sea anemones. In the right corner of the painting Merdusa, the Medusa mermaid (greyisch blue skin, white snakes on her head, white tail with yellow spots) crossing arms, text: M.: "Still not ready?" - N.: "DON'T peep!" - M.: "In your dreams."
Digitalzeichnung, Comicstil, (fast) monochrom dunkelblau: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, starrt fasziniert in einen grün leuchtenden, senkrecht stehenden Wirbel, im Versuch mit der rechten Hand diesen anzustubsen, Merdusas Schlangenschwanz zieht sie, von links im Bild kommend, von diesem weg, Titel auf englisch: "The End is Here"
Digitalzeichnung, Comicstil, monochrom dunkelblau: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, schaut in ihre Vesicherungspapiere, während im Hintergrund eine Tonne Atommüll zu sehen ist, die in ihrer Seeanemone steckt und am Glühen ist, Titel auf englisch: "Home Sweet Glow"
Digital Painting, Comic style, monochrome, dark blue colour, bright background: In the left half of the painting there is Nema, a mermaid with short hair and the lower body and colour of a clownfish. She wears sea anemones as bikini top. She is leaning on a big stone and is starring fascinated to a shiny light orb in the top left corner of the painting. You also can sea giant teeth near her. Merdusa's arms are crossed and she has an annoyed facial expression. She swings her tail, Nema catching at hips height. Headline: "Nema and Merdusa: Best F(r)iends helping each other"
Bleistiftskizze: Merdusa, die Medusa-Meerjungfrau, von hinten betrachtet ihren mit "Statuen" bestückten Garten, die Statuen haben Clownsnasen und falsche Bärte, es ist zu sehen, wie Nemas Schwanzflosse (Clownfisch-Meerjungfrau) noch gerade so hinter einem Felsen verschwindet, Titel auf englisch: "Nonsense"
Digitalzeichnung, Comicstil: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, versteckt sich hinter einer Statue, die eine Clownperücke trägt, andere Statuen tragen Partyhüte, falsche Bärte, aufgemalte Münder und Luftschlangen, von links erscheint drohend der Schatten Merdusas, der Medusa-Meerjungfrau, Titel auf englisch: "Party Hard"
Digitalzeichnung, Comicstil: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, liegt in einer riesigen orangenen Seeanemone, in der rechten Hand einen blauen Ball haltend, sich mit der linken eine rote Nase aufsteckend, Titel auf englisch: "Joking Nema"

Nema + Merdusa

Mermay3, "Coral", digital painting, comic style: Nema, the clownfish mermaid with short orange hair standing behind a big red coral in front of a lot of sea anemones. In the right corner of the painting Merdusa, the Medusa mermaid (greyisch blue skin, white snakes on her head, white tail with yellow spots) crossing arms, text: M.: "Still not ready?" - N.: "DON'T peep!" - M.: "In your dreams."
Digitalzeichnung, Comicstil, (fast) monochrom dunkelblau: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, starrt fasziniert in einen grün leuchtenden, senkrecht stehenden Wirbel, im Versuch mit der rechten Hand diesen anzustubsen, Merdusas Schlangenschwanz zieht sie, von links im Bild kommend, von diesem weg, Titel auf englisch: "The End is Here"
Digital Painting, Comic style, monochrome, dark blue colour, bright background: In the left half of the painting there is Nema, a mermaid with short hair and the lower body and colour of a clownfish. She wears sea anemones as bikini top. She is leaning on a big stone and is starring fascinated to a shiny light orb in the top left corner of the painting. You also can sea giant teeth near her. Merdusa's arms are crossed and she has an annoyed facial expression. She swings her tail, Nema catching at hips height. Headline: "Nema and Merdusa: Best F(r)iends helping each other"
Digitalzeichnung, Comicstil: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, versteckt sich hinter einer Statue, die eine Clownperücke trägt, andere Statuen tragen Partyhüte, falsche Bärte, aufgemalte Münder und Luftschlangen, von links erscheint drohend der Schatten Merdusas, der Medusa-Meerjungfrau, Titel auf englisch: "Party Hard"
Bleistiftskizze: Merdusa, die Medusa-Meerjungfrau, von hinten betrachtet ihren mit "Statuen" bestückten Garten, die Statuen haben Clownsnasen und falsche Bärte, es ist zu sehen, wie Nemas Schwanzflosse (Clownfisch-Meerjungfrau) noch gerade so hinter einem Felsen verschwindet, Titel auf englisch: "Nonsense"
Digitalzeichnung, Comicstil: "Nema", eine Meerjungfrau mit dem Unterkörper eines Clownfischs, Seeanemonen als Bikinioberteil, sehr kurze, rot-orangene Haare in sichelartigem Style, am Hinterkopf noch weiter gekürzt, liegt in einer riesigen orangenen Seeanemone, in der rechten Hand einen blauen Ball haltend, sich mit der linken eine rote Nase aufsteckend, Titel auf englisch: "Joking Nema"
Digitalzeichnung, Comicstil: Unter Wasser, Meeresboden. "Merdusa", eine Meerjungfrau mit dem Unterkörper einer weißen Seeschlange mit gelben Streifen und Schlangen staat Haaren. Sie hat die Augen geschlossen und richtet ihr Schlangenhaar. Im Hinter- und Vordergrund sind steinerne Figuren zu sehen, teils mit Algen überwachsen. Der Hintergrund ist das Blau des Meeres, von rechts oben dringt weißes Licht hinab.

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Crissy Faith (Arcryla City)

  • Digital painting, comic style: To the left Crissy Faith (young woman, purple hair, big round glasses, wearing a bellyfree purple overall which left strap is damaged, love bites on her cheeks, shoulders, neck and belly, pink, yellow and blue striped flags on the buckles of her overall) in front view, holding a police departmend sign ("ACPD; Crissy; 42-665; Arcryla City") behind which she try to hide, her cheecks are emberassed red; to the right Paule Luce (young woman, turqoise hair, sidecut and undercut, a short bellyfree top consisting of leather and chains) in side view; the head is headed right but her iris is turned towards the viewer, though, holding the right hand in a "V" manner into the camera, blowing raspberries at the same time, in the left hand she is holding a police departmend sign ("ACPD; Paula; 42-666; Arcryla City"); the wall behind them contains stripes that are equal distant to each other.
  • Digital painting, comic style: Crissy Faith (young woman, purple hair, big round glasses, wearing a bellyfree purple overall which left strap is damaged, love bites on her cheeks, shoulders, neck and belly, pink, yellow and blue striped flags on the buckles of her overall) in front view, holding a police departmend sign ("ACPD; Crissy; 42-665; Arcryla City") behind which she try to hide, her cheecks are emberassed red; the wall behind her contains stripes that are equal distant to each other.
  • Digital painting, comic style: Paule Luce (young woman, turqoise hair, sidecut and undercut, a short bellyfree top consisting of leather and chains) in side view; the head is headed right but her iris is turned towards the viewer, though, holding the right hand in a "V" manner into the camera, blowing raspberries at the same time, in the left hand she is holding a police departmend sign ("ACPD; Paula; 42-666; Arcryla City"); the wall behind her contains stripes that are equal distant to each other.
  • Digital Painting, a collaboration project in comic/anime style: The Arcryla City OCs Potato Delta, Conway, Crissy and Paula on the dancefloor, Crissy/Paula to the left, Potato/Conway to the right; Conway is a huge guy in a blute coat and a dark tophat with white-blonde hair, holding Potato tight who is leaning against him with closed eyes, Potato is wearing a golden and blue shoulder free dress with golden frills, she has orange short hair, two long strains falling down her cheeks; Paula has short, light green hair as side fringe, purple lips and is wearing a bellyfree button-down shirt without sleeves, platform boots and a skirt with frills, all clothes are green, she also wears black bands around neck and wrists; she is holding Crissy tight and leaning over her while Crissy is leaning backwards; Crissy has short purple hair and big round glasses, she wears a bellyfree corsagelike purple top, a short light purple skirt and purple toefree boots, she is blushing; in the backgrpund people at tables and a big window with flying glowing fish; to the right there are mechanical music instruments which are playing themselves, a pipe, a saxiphone, a cello and a violin; in the foreground two chanedeliers and the contours of people
  • Digital painting, comic style: Crissy Faith (young woman, short purple hair, big round glasses, wearing a bellyfree pink pyjama with waterbear embroidery) hunkering down to an eight-legget mechanical robot with the head of a bear and an aquarium on its back, it has a ball in form of algea cells between its foremost paws, the eyes are closed; Crissy is holding a vase with cockwheel decor, the lit opened by cockwheel gear, pouring water into the aquarium from the vase; stars in the night sky in the background as well as the astronomic sign and the letters "Aquarius"; a bunch of stars also forming a pocket watch.
  • Digital painting, comic style: Crissy (young woman, short purple hair, big round glasses) and Paula (young woman, short turqoise hair in sidecut) dressed as demons, bot seems floating above the ground and there are summoning circles and sparkles beneath their feet (Crissy's purple, Paula's green), where they meet, they complete each other; Crissy: smoke resembling dress, body skin all white with blue mystical letters along body parts, green lipstick, purple skirt and vest, eye-like cutouts at the hips and the nable, an amulett of a black one-eyed demon, she is holding a purple orb with wires connected to the rest of the costume, purple shining eyes, a black hat with one purple shining eye in the center; Paula: Body from toes to fingertips clad in a black and sparkling one-piece and a white jacket with several green shining eys and teeth a the rim, a boob window as additional eye, a green gleaming bow tie with an eye, a white tophat with teeth and one green gleaming eye, a cape formed like two purple wings, a green biforked tail, she's holding a stick with a hand that is grabbing the rim of the tophat, her eyes are colored green with a cat eyes' pupil, purple lipstick; one arm of each is crossed with the other's one, where they meet they together are building another summoning circle built of their respective colors; background: stairs with a red carpet and statues of man with tophat and a rose and a woman playing the lyra; a golden door at the top of the stairs, cogwheel gears; foreground: candles.
  • Digital painting, comic style: Crissy (young woman, short purple hair) and Paula (young woman, short turqoise hair in side cut, hand nail polish in Lesbian pride colors, toe nail polish in rainbow pride colors) lying and sitting next to each other on a green upholstered bench in a cabin, hugging and kissing each other, Crissy is wearing a black bellyfree leather suite and long leather gloves, Paula a plaided purple skirt and a purple vest; next to the bench a grey night table, a cake on it, some slices already been eaten, on the floor Crissy's (brown, toefree) and Paula's boots (plaided and purple) and a bottle of wine, there is an oranghe shining lamb on the wall and the dark head and neck of a bird; in the background of the bench huge windows with a view over clouds, skyscrapers and a big rotor; flying bright blue shining fish in the sky.
  • Digital paintin, comic style: The setting is a warm and bright morning, Paula (young woman, short turqoise hair in sidecut, toe polish in rainbow colors, nail polish in Lesbian Pride colors), standing on her balcony, stretching, one eye closed, the other one opening, the hair messy, she doesn't wear any visible clothes, hips and pelvis are covered by the railing and the pots and plants attached to it, her breast by a big leave of one of the several carnivorous plants of different types around, their twines winding the railing; at the right edge of the painting a big secretary bird is landing, looking towards Paula; in the background an open balcony door with windows, curtains flapping outwards, behind the door a room with a canopy bed, someone with purple hair lying in it, one leg peeking out from under the blanket, pictures on the wall; in the foreground tow blurred birds and flying blossoms; the look is a little bit washy, blurred at the edges.
  • Digital painting, comic style: Paula (front, young woman, young woman, short turqoise hair in sidecut, short turqoise hair, toe nails painted in rainbow colour, finger nails in lesbian Pride flag colour; she's wearing some kind of green leaf-like loincloth that only covers breasts, lap and butt, green braces, turqoise wrist bands, a pink shell band at her left ankle, as green leaf band at her right, golden neck band, pointed ears) sitting in front of Crissy (young woman, short purple hair, big round glasses, bellyfree leather armor, braces, striped trousers, cape) on in the saddle of her giant bird mount Sparrow, front view, seen from slightly above; Paula is trying to catch a flask with a purple, foaming substance, Crissy is looking backwards towards a giant mangogo (mangoes with sticklike legs, arms and noses) raising from the woods and following them, the eyes of the mangogo gleaming purple; pink blossoms in the foregrpund and scaried birds in the background in the air.
  • Digital painting, comic style: Crissy (young woman, short purple hair, big round glasses, bellyfree leather armor, braces, cape) and Paula (young woman, short turqoise hair, short turqoise hair, toe nails painted in rainbow colour, finger nails in lesbian Pride flag colour; she's wearing some kind of green leaf-like loincloth that only covers breasts, lap and butt, green braces, turqoise wrist bands, a pink shell band at her left ankle, golden neck band, pointed ears) in a wildly grown garden with an old well in the center and a sign "Wishing Well; 1 Coin)"; Paula is sitting on its edge, tossing a coin on a string over her shoulder, Crissy in the foreground, skeptically looking at a coin; blue day sky with birds and petals in the background.
  • Digital painting, comic style: Paula (young woman, short turqoise hair in sidecut, wearing a green loincloth dress covering breasts and genitals, green braces, turqoise wristbands, a pink shell foot chain and a golden neckband), sitting in the center of the painting, looking surprised and holding a harp with a bird's beak, musical notes and a deep purpley shimmer hovering through the air; next to Paula the hull ("Instructions") of a scroll, on the scroll you can read "Harp[]'s Call", but the scrolll is ripped and torched, there is a space and you only can guess an illegible "y" in the writing; there is a big shadow of a winged and talon-armed birdlike creature above Paula; further above, there is an action line and the sound word "Ziiiiiiiing!!!" leading towards three feathers falling down, accompanied bei a big "Caw!"; a pale orange and yellow background, red and deep shimmer around the edges of the painting.
  • Digital painting, comic style: 1) Crissy and 2) Paula (fantasy versions) in the saddle of sparrow, a big brown-orange bird with a sharp beak; 1) young woman, short purple hair, big round glasses, bellyfree leather top, leather skirt, purse and quiver with arrows on her girdle, orange-brown striped trousers, toefree boots, blue cape, 2) young woman, short turqoise hair; toe nails painted in rainbow colour, finger nails in lesbian Pride flag colour; she's wearing some kind of green leaf-like loincloth that only covers breasts, lap and butt, green braces, a knife in a sheath of leaf optic, a bag also in leaf optic, turqoise wrist bands, a pink shell band at her left ankle and a golden neck band; Sparrow is nosediving fast into a school of sky lanterns, fending them off with her wings and the beak; 2) is holding her reins with the left hand, raising the right arm into the air, her braces a illuminated green, creating a green shield-like light in front of her wrist, bashing a sky lantern into pieces; 1) is sitting behind her, holding fast on her belly, eyes closed, screaming; more sky lanterns and blossoms in foreground and background, washy in their movements, a likewise washy night sky with stars in the background.
  • Digital painting, comic style: A photograph in sepia colours slightly askrew showing a ballroom inside of a Zeppelin with Paula and Crissy in it; Crissy: young woman, short purple hair, big round glasses, skirt, bellyfree top, toefree kneeboots; Paula: young woman, light green hair, a big bang combed to the left side, knee long dress, parted at the front, many frills, bellyfree shirt, plateau kneeboots, holding a bottle of wine to hide it behind her back; they are standing close together, Crissy looking blushing to Paula, Paula looking to the wine bottle out of the corners of her eyes; chairs, a table and a window showing a star filled night sky in the background; the photo is laid centrally over the (coloured) version of the Zeppelin's ballroom.
  • Digital painting, comic style like in the game "CrisTales" (simple, without lines and with only rudimentary shading): Crissy (young woman, purple hair, big round glasses, brown leather helmet, openened brown leather jacket, bellyfree top, pocket watch dangling from the jacket) to the left, looking to a robot water bear, a dialog box between them "Crissy! What do you want to do?", three options, the second one highlighted: "We should rest for a while.", "I want to record our progress." and "Nothing for now."; brown blurry background.
  • Digital painting, comic style like in the game "CrisTales" (simple, without lines and with only rudimentary shading): Crissy (young woman, purple hair, big round glasses, brown leather helmet, openened brown leather jacket, bellyfree top, pocket watch dangling from the jacket) to the left, looking to a robot water bear, a dialog box between them "I want to record our progress." and a yellow button with a white arrow; brown blurry background.
  • Digital painting, comic style: Crissy Faith (youn woman, short purple hair, big round glasses) in the arms of Paula (young woman, short light turqoise hair), holding each other holding tightly; Crissy is seen from behind, butt and one feet are on the edge of a couch, she is leaning backwards, Paula's hands are on Crissy's back, one under her top and one gripping her butt, Crissy's hands are on Paula's shoulder and neck, both hair is ruffled, they both are sweating and red, Crissy is wearing a orange and black striped leggings and an orange top, Paula a plaid top and skirt.
  • Digital Painting, comic style: A painting of a poster of my OC Crissy Faith seen in 3/4 front view, a young woman with short purple hair an big round glasses sitting and repairing something above her head, she is sitting on her mechanic's coat, a pocket watch dangling from her hip, to her side a handkerchief with a cheese, lettuce, egg and mayonnaise sandwich which she already had started to eat; the upper body is free except for the top which only covers chest, breasts and the back below her shoulders, hear skin is glaring due to the sweat covering hair, face and body, there are dirt and oil spots on these as well, so are on her coat, in the background a big grey cogwheel.
  • Digital Painting, Comic style: Two young woman, Crissy Faith (short purple hair, big round glasses) and Potato Delta (long brownish red hair) in Crissy's flat in pajamas on a couch which has been transformed into a bed, sitting on rose, and brown blankets and cushions, Potato holding a glass, Crissy looking sideways down, pressing her stuffed water bear towards her belly, blushing, bowles and bottles around them, pizza boxes on the floor, a table with more bowles, an aquarium, a slate, a notebook, light bubls hanging from the ceiling; huge, wide windows in the background, the scenery showing zeppelins, clouds and a huge building with a blue glowing clock tower in front of a night sky
  • Digital painting, comic style: Crissy Faith, a young woman with short, purple hair and big, round glasses, wearing a brown overall and purple and lavender stripes leggings sitting on a bench with candy floss in her right hand, the her right side, another young woman seen from from the side with short ruffled blue-green hair. She is wearing a deep violette coursage with a plaid pattern over a semitransparent shirt, both bellyfree, a skirt of the same colour and style, three golden chains around her hips and black bracelets and wristband on wrists and neck. Finger nails and toenails are painted with nail polish in the colours of the lesbian pride flag, she is looking to Crissy (who is blushing) and taking a bit of the candy floss with the right hand
  • Digital Painting, comic style: My OC Crissy Faith (young woman, short, purpley hair, big round glasses, blue overall, green and yellow striped leggings, a pocket watch dangling from one pocket, toe-free boots) sitting on a flying steam and jet propulsed bike behind a young woman (short, light green hair, safety glasses, black neckband, black wristbands, brown belly free leather top, brown tigh leather trousers, brown toe free laced boots) who is laughing and stretching the arms to the sides. In the left bottom corner is a gloved hand which tries to grab a tophat, in the foreground petals which are blown up by the slipstream, a sheet of paper likewise flying in the wind, text: "Arcryla City Summer Festival"
  • Digital painting, comic style, the background slightly blurred: The Mayor of Arcryla City wearing a light shirt, a belt, brown pants and gloves, standing in the middle of a wind gust which drives petal through the air, blows off his tophat and lifts his shirt so you can see the abs. He is trying to catch the hat, a violet and a green tent in the background, a light blue afternoon sky with clouds
  • Digital painting, comic style, night sky with fireworks as background: A fancy, young woman seen upfront, turning her body as she tosses two rings at the same time over two kegs. She's light brown curly hair bound to a ponytail by a ribbon and wears a tiny deep mauvish crimson tophat, shirt, corset and skirt as well as black, short gloves and a brown coat. There are a neglace and a bracelet with rubin jewelry, too. Up on the sky in bright colours the words "Arcryla City".
  • Digital Painting, comic style: Two paintings laid next to each other becoming a new picture, a bigger one. To the left Crissy Faith, a young woman with purple hair and big round glasses, wearing a blue short legged overall, seen from side view, sitting in the grass in front of a lake with banks of rocks at nighttime, buildings and trees in the background, fireworks in the sky, looking giggling toward the scene of the right painting. There Lynux, a young woman with long brown hair, kneeling at the ground, trying to fire a fireworks rocket, in front of the same see, likewise trees and buildings in the backgroubnd and fireworks in the sky. In the foreground to the left on Crissy's side a piece of paper with the letters "Arcryla City Fireworks Fe...l" (the last word not completely readable) to the right on Lynux' side a sign "Arcryla City Fireworks Festival"
  • Digital Painting, comic style: A young woman, short purple hair, big round glasses, black/orange striped trousers, leather jacket, orange strapless bellytop beneath, taking off the jacket, a pocket watch dangling from the left sleeve, slipping off boots and purple socks, stumbling over her own boots while standing with the right foot on the left boot's tip, spots of oil and dirt on the clothing and the cheeks. In the background a door with gear and cogwheels and a big lock, on the left a device and a pipe leading to a lamp above the door and a pneumatic post delivery device. On the right on the wall her helmet and belts, on the ground below two pizza boxes and a tool box, covered by her tool belt. Foreground to the left a couch with pillow, the "Arcryla City Steam Magazine" and a purple plush water bear mechanic, to the right an oval desk with a plate of mangoes, an invitation letter, a slate and a piece of chalk. Couch, desk and ground are lightened by three windows.
  • Digital Painting, comic style: Crissy Faith, A young woman who has got short purple hair and is wearing big round glasses. She is also wearing a grey short-legged overall, green and purple striped leggins and toe free boots. She is leaning with her back against the technical equipment encircling a carousel. In her right hand she is holding candy floss. There is also a small wall on which is attached a poster saying "Arcryla City Summer Festival" with drawings of balloons, rings, masks, candyfloss and carousel horses on it. In the inner part of the carousel you can see three horses or parts thereof, glitter, pennants, flowers and flying blossoms. Crissy's eyes are catching an open hatch in the encompassing machine covering with view on the cogweehls within and a screw lying outside in the grass

Witchphibians

  • Digital painting, comic style: A scene on a forest clearing; in the center a big bonfire, dancing in front of it Raven (young woman, rosy skin, short white hair as sidecut, wearing a simple brown dress) and Samandra (young woman, brown skin, red, shoulder long hair, wearing a grey apron and brown leather trousers), they are holding hands, blue light runes (Raven) and yellow polar lights (Samandra) following the curves the bare feet are drawing on the ground; light runes resp. polar lights also are covering both, taking the forms of dresses, shoes and gloves; they also cover the connected hands and are flying through the air like fountains; in the background four other witches, a red haired riding a big floating battle axe, a tall purple dressed rolling eyes, a small chunky one looking towards the tall one, one white haired dancing with someone who is hidden by the fire; in the air in front ot the moon the pure black silhouette of another person spreading their arms; there are more silhouettes of people dancing or talking to each other in the further background and the tops of conifers; in the foreground shadows of three other people (two of them standing very close to each other) and blurred vegetation; blurred yellow blossoms flying through the foreground.
  • Text sheet (blurred and faded version of the painting) with an explanatory text: Enchanting Moonlight; Every once in a Blue Moon, the Enchanting Moonlight fiest was held. Witches and moon have a strong connection, full moons and new moons in particular. But the greatest power came from a moon that shouldn't be there by definition, and yet it was. An additional moon in a month was able to evoke powers that still slumbered within a witch. Not a few witch apprentices discovered their special magic knack during their first Enchanting Moonlight ritual and those who already had discovered them learned to better understand to control them better to make the utmost of them. Every witch apprentice was looking forward to their first Blue Moon in excitement. It was initiation rite and treshold to a new stage on their witches path. All kind of witches of all shapes and ages were there. As it was a night of tradition and celebrating it also was a night to party and for bonding in one way or the other. And, of course, there was the dance.
  • Digital painting, comic style: Raven turned into a small, pink frog falling into a bubbling cauldron with gleaming hot stones, mushrooms and weed, leaving her robe empty; Samandra (young woman, with brown skin and gleaming yellow frackles and spots on her body, neck long red hair, wearing light brown leather trousers with buttons on the sides of the legs and a grey apron-like dress held by some ropes as straps) in the background, turned towards Raven alarmed, conjuring a gleaming yellow string that catches Raven around the torso and dropping two purple feathers in the process; next to her a table with a small journal showing a winged purple creature and an opened bigger book, hit by a beam of moonlight, letters and drawings are only visible where the light hits the pages; further in der background a wooden wall and a shelf with a book ("Remember Bob" + the picture of a small blob with eyes), a water lily flower, a bright blue gleaming crystal in a piece of rock and a wooden face of an owl ("Hooyt" (The Owl House)), on the floor a big stuffed heart, partly coveres by a thin fibrous curtain; green, yellow and purple bubbles in the foreground.
  • Digital painting, comic style: Raven (young woman, short white hair in sidecut, barefooted, simple golden brown dress, a necklace with a raven charme) sitting on a terracotta tiled floor in front of a storage rack with books, jars, scrolls and several magical items, looking on some magic lights coming from a magical staff and a puddle of red potion on the floor, additionally a text with her background story "Raven - Witch Apprentice; Originally a thief (not a good one, obviously) who made the mistake sneak into a witch's hut but got betrayed by her own clumsiness. To make up for the trouble, she henceforth either had to live the life of a small green hopping animal or to become the witch's apprentice (incl. all the chores coming with it)."; my Instagram nick in the background of the painting.
  • Digital painting, comic style: Raven, a young woman with short white hair in sidecut, barefooted, wearing a simple golden brown dress and a necklace with a raven charme, sitting on the floor (terracotta tiles); in front of her a tipped open jar, pouring a red puddle between her feet, next to it a tipped wooden magical staff, throwing light towards the puddle, creating several circles with magic symbols in the air; more jars and a broom are standing or lying on the floor as well as an open book (pages down); she is in front of a storage rack (left to right, top to bottom: 1st row a small chest with a frog ornament; a jar with something black and one single eye, several tilted scrolls; 2nd row books; 3rd row a wicker box with several magical accessoirs, tarot cards, keys, feathers; a kettle, several jars), the area between Raven's legs and her face is well lit, the background is dark but the details are visible; my Instagram nick in the background of the painting.
  • Digital painting, comic style, light beige background: A small, thin light pink frog with several darker pink spots, staring unbelievingly towards the viewer, golden brown frog eyes, a semi-transparent light blue amphibian crest on the head, covering parts of the right eye; an amulet which doesn't fit around the neck anymore and light pink clouds around the frog; the frog is sitting inside an empty collapsed simple golden brown dress; text: "Raven Frogfeet; It wasn't actually a green hopping animal. This was the threat, though, and the witch gave Raven a taste of what it was like to be a frog. Still, since the witch wasn't the youngest anymore and never has been top witch in the best years of her life, the spell partly stuck even after turning Raven back into a human being. Therefore, every so often Raven (or body parts of her) still turns into a frog or parts of it - usually in the most inconvenient situations."
  • Digital Painting, comic style: Raven to the left, a young woman with light rosy skin, short white hair in sidecut, barefoot, wearing a golden brown dress, tied with a rope in the middle, a pouch and a necklace with a raven charme, the left hand and the right foot are turned into frog hand and foot, Raven is looking amused towards Samandra, to her left a small pink frog sitting on the floor; Samandra to the right, a young woman with brown skin and yellow frackles and spots on her body, neck long red hair, barefoot, wearing light brown leather trousers with buttons on the sides of the legs, a red tailor's bag by her side and a grey apron-like dress held by some ropes as straps, a scissor and needles tucked into a band on the of front part of her dress, a ruler in her right hand, a tall fire salamander's tail appeared on her back, waving the back of her dress into the air, she's looking embarrassed out of the corners of her eyes towards the tail, blushing, still covering her mouth with the left hand, right to her a small fire salamander; Text: "Samandra shared Raven's fate in reverse. Originally she was a fire salamander. The whitch she was apprentice of was in need of a helper who could do the chores she wasn't able to do anymore. So she simply turned a newt into a human being. Since Sam was a fast learner and also showed talent in witchcraft, she finally raised her as her apprentice. Although not completely voluntarily drawn into apprenticeship, she, like Raven, preferred her new life to the old one (not having many memories of it anyway)."
  • Digital painting, comic style, light beige background: A small, thin light pink frog with several darker pink spots, staring unbelievingly towards the viewer, golden brown frog eyes, a semi-transparent light blue amphibian crest on the head, covering parts of the right eye; an amulet which doesn't fit around the neck anymore and light pink clouds around the frog; the frog is sitting inside an empty collapsed simple golden brown dress.
  • Digital painting, comic style, light beige background: A small, thin light pink frog with several darker pink spots, staring unbelievingly towards the viewer, golden brown frog eyes, a semi-transparent light blue amphibian crest on the head, covering parts of the right eye; an amulet which doesn't fit around the neck anymore and light pink clouds around the frog.
  • Digital Painting, comic style: Raven to the left, a young woman with light rosy skin, short white hair in sidecut, barefoot, wearing a golden brown dress, tied with a rope in the middle, a pouch and a necklace with a raven charme, the left hand and the right foot are turned into frog hand and foot, Raven is looking annpoyed towards the frog foot; Samandra to the right, a young woman with brown skin and yellow frackles and spots on her body, neck long red hair, barefoot, wearing light brown leather trousers with buttons on the sides of the legs, a red tailor's bag by her side and a grey apron-like dress held by some ropes as straps, a scissor and needles tucked into a band on the of front part of her dress, a ruler in her right hand; she's looking amused towards Raven, covering her grin with the left hand; Text: "Samandra Elvennewt", "When you are a witch apprentice, you meet other witch apprentices. One of them was Samandra Elvennewt. She was a natural with needle and thread and experienced in retailoring clothes of people who occasionally turn into animals (you get them a lot around witches and wizards). She retailored Raven's dress which was no more than a mere sack before and together they travelled around a lot.>>"
  • Digital Painting, comic style: Raven, a young woman with light rosy skin, short white hair in sidecut, barefoot, wearing a golden brown dress, tied with a rope in the middle, a pouch and a necklace with a raven charme, the left hand and the right foot are turned into frog hand and foot, Raven is looking amused towards the right, her her left a small pink frog sitting on the floor, Text: "Raven Frogfeet"
  • Digital painting, comic style, cut out of the DTIYS announcing painting, focussing on the main characters: Samandra (left) and Raven (right) in sideview (hip height) back to back in front of a bright full moon; Samandra being a young woman with brown skin and gleaming yellow frackles and spots, neck long red hair, wearing a grey apron-like dress held by some ropes as straps, needles tucked into the of front part; Raven being a young woman with light rosy skin, short white hair in sidecut, combed to her right half of the face, wearing a golden brown dress, tied with a rope in the middle and a necklace with an amulet, the left hand is the hand of a pink frog; there are magical threads coming from Sam's hand, weaving a pattern in the air and gleaming blue circles and runes hovering above Raven's right hand; both are ecompassed by a shiny yellow light; added to the background are flying yellow blossoms.
  • Digital painting, comic style: Samandra (left) and Raven (right) in sideview (hip height) back to back in front of a bright full moon; Samandra being a young woman with brown skin and gleaming yellow frackles and spots, neck long red hair, wearing a grey apron-like dress held by some ropes as straps, needles tucked into the of front part; Raven being a young woman with light rosy skin, short white hair in sidecut, combed to her right half of the face, wearing a golden brown dress, tied with a rope in the middle and a necklace with an amulet, the left hand is the hand of a pink frog; there are magical threads coming from Sam's hand, weaving a pattern in the air and gleaming blue circles and runes hovering above Raven's right hand; both are ecompassed by a shiny yellow light; added to the background are flying yellow blossoms; text: "Draw This In Your Style; #Kritz200; Celebrating 200 followers (thank you all so much!); Details see next slides + captions".

Mermaids

  • Digital painting, comic style: Mermaid Engineeriel (brown skin, brown hair, blue fishtail that also covers her upper body by resembling a mechanics overall, goggles with a rot) to the left, holding the shoulders of a mostly pottery made robot resembling herself, the robot's eyes and mouth are glowing red; a night sky with stars, the Gemini constellation and the word "Gemini" in the background.
  • Digital painting, comic style: Merindiana Jane, a mermaid resembling Indiana Jones, light brown skin, a green gleaming tattoo of the Capricorn symbol as well as the sign's constellation on her right cheek, black long hair, brown fish tail with a golden tail fin, bellyfree tanktop, a belt across her hips with a light blue whip at her left hip; a ray as hat on her head; side view, holding an emerald green gleaming capricorn skull mask in the air; stars on the night sky in the background as well as the astronomic sign and the letters "Capricorn".
  • Digital painting, comic style: A swamp and trees; a mermaid based on a manta ray in a deckchair made of plants; violet eyes, chin long straight violet hair; the ray's fins are buidling a cape; a black starfish as pendant on her chest; mud in her face, left eye covered with a cucumber disc, she's lifting another one from her right eye, looking tired to a plant's stalk carrying half of a coconut with a drinking straw in it, magical light floating from her finger tip to it and encompassing it; to her left a staff built from a long belemnite, a hat-like squid holding a sign "Wytch on Vakatin", an "o" added subsequentl, is thrown over its top; left to the sign floating in the air a pink ghostly starfish (Patrick from Spongebob Squarepants), wearing green trunks and red water wings; on her left on some lily pads a small pink frog and a salamander, watching sceptically her doings; in the background behind the trees you can see two giant undead snakes, creeping out of the shadows, rays from the magical light leading to the first one, forming its tongue, eyes and nostrils; text "Wytch on Vacation".
  • The whole painting; digital painting, comic style: Merindiana Jane, a mermaid resembling Indiana Jones, dark blue hair, a stingray as hat, looking determined, holding a deactivated Light Sword (Star Wars), swimming towards the right upper corner of the painting, dragging Ceratia with her, a mermaid bases on and anglerfish including a light bulb on a rod originating on her forehead; above both a seal diving into the water; in the background a dark bottom and the wreck of the Nautilus (submarine), two divers apporaching the wrack in front of the shadow of a giant octopus; next to this wrack a giant black dead starfish; in the right corner a submarine hill with corals and sea anemones, two shadows in the most right bottom corner; there are schools of fish in the water; in the right upper corner a yellow part of land with the back legs and the tail of a giant turtle, a red and white striped lighthouse and a palm tree on top of this island with a black flag showing fishbone; text: "The Return of the Merindiana Jane".
  • Digital Painting, Comic style: Below sea level, sea's bottom, rather dark water, "Merdusa" in front view, a mermaid whose lower body part is the body of a white sea snake with yellow stripes, the end of the tail is flattened. She's got snakes instead of hair. The arms ar crossed, she is looking out of the corner of the eyes to her right, in the foreground are some water plants, in the background some blurry rocks, a school of fish can be seen in the upper left corner, water and light are creating a pattern on Merdusa's skin and hair.
  • Digital painting, comic style: A character sheet of the Medusa mermaid Merdusa, light, pergamentlike background, Merdusa in the bottom right half of the sheet in front view, she's a mermaid whose lower body part is the body of a white sea snake with yellow stripes, the end of the tail is flattened. She's got snakes instead of hair. The arms ar crossed, she is looking out of the corner of the eyes to her right, there is grey rimlight and a grey shadow beneath her, in the background a pale school of fish; in the upper left half of the painting text: "Merdusa - Stunning Stone Queen of the Sea -; Aristocratic ancestry; Soft but resistant skin + scales, mimicking stone surface; Lower body of a sea snake, poisonous snakes as hair; The poison petrifies whoever get bitten by them, it also can be spewed into the water for broader (but less effective) impact (this rising the rumor, just looking at her would turn everyone to stone); She has a no-nonsense attitude to life but at the same time she is attracted to nonsense; This leading to her love-hate relationship - well, more love than hate - with Nema, the clownfish mermaid, but she won't admit her affection for Nema easily.
  • Digital painting, comic style: Nema and Merdusa in one painting, Nema to the left, a mermaid with the lower body of a clownfish seen in 3/4 view, she has short orange hair with undercut at the back of the head, she is wearing two sea anemones as bra and juggling with a violet, a yellow, a light blue, a read and a light green ball; Merdusa to the right, a mermaid whose lower body part is the body of a white sea snake with yellow stripes, the end of the tail is flattened. She's got snakes instead of hair, The arms ar crossed, she is looking out of the corner of the eyes to her right, her tail is catching Nema below hip level.
  • Digital painting, comic style: Merindiana Jane, a mermaid resembling Indiana Jones, light brown skin, black long hair, brown fish tail with a golden tail fin, bellyfree tanktop, a belt across her hips with a light blue whip at her left hip, she is looking determinded putting a ray as hat in her head; standing between some ruin pillars, green background.
  • Character sheet, digital painting, comic style: Merindiana Jane, a mermaid resembling Indiana Jones, light brown skin, bluish black long hair, brown fish tail with a golden tail fin, bellyfree tanktop, a belt across her hips with a light blue whip at her left hip, she is looking determinded putting a ray as hat in her head; the background is pergament coloured, resembling a journal page; explanatory text: "Merindiana Jane - Restless Raider of the Sunken Arks -; Inofficial leader of the Mermay Squad; Adventurous treasure hunter and enterprising explorer, risk-takingly eager to swim where no mermaid had swum before; Discoverer of the Lost Pineapple, finder of the Golden Spatula, Seeker of the Dentist's Bubble Chest; The whip is made of jellyfish tentacles; The hat always comes back to her (because it's a stingray); Always getting in trouble but also being able to wriggle out of it; Coffee addict since an adventure involving a sunken truck, hot underwater springs and a wagonload of best Arabica-Coffee Extra Strong; She only fears Seantipedes: Giant underwater centipedes haunting the Lost Pineapple Plains and other places; Archrival: Captain "Sushi" Tigra Selachii, Pirate of the High Seas, Terror of the Seven Beaches since they are usually hunting the same treasures; Met Ceratia the anglerfish mermaid (and became her friend) after she had to walk the plank over a deep sea trench".

ZodiOCs

  • Digital painting, comic style: Mermaid Engineeriel (brown skin, brown hair, blue fishtail that also covers her upper body by resembling a mechanics overall, goggles with a rot) to the left, holding the shoulders of a mostly pottery made robot resembling herself, the robot's eyes and mouth are glowing red; a night sky with stars, the Gemini constellation and the word "Gemini" in the background.
  • Digital painting, comic style: Guardswoman Luca (young woman, short black hair, white uniform with a red dragon on the chest, holding a spear in her left hand, there also is a sabre hanging from her left hip), facing the viewer, eyes and mouth are wide open, in the background an almost full green moon, the shadow building two horns to the sides of Luca's head; a green front glow is facing Luca; the word "Taurus" is written on the moon; a night sky with stars and the Taurus constellation in the background.

The Owl House Fanart

  • Comic, 2 panels, digital painting: In the upper panel a balloon made of purple adomination goo in front of a dark purple night sky, some pink flowers are tied to the balloon, pink blossoms flying through the bottom rigt corner of the painting, start of the text: " 'Probaly doesn't work that way. "; bottom panel: a purple vase with a single white flower in front of a dark blue night sky (the positions of the stars are inverted in comparison to the first panel), in the bottom left corner some fading blossoms.
  • The 1st (upper) of 2 comic panels, digital painting: In the upper panel a balloon made of purple adomination goo in front of a dark purple night sky, some pink flowers are tied to the balloon, pink blossoms flying through the bottom rigt corner of the painting, start of the text: " 'Probaly doesn't work that way. "
  • The 2nd (bottom) of 2 comic panels, digital painting: A purple vase with a single white flower in front of a dark blue night sky (the positions of the stars are inverted in comparison to the first panel), in the bottom left corner some fading blossoms.
  • Digital painting, comic style: Two characters from the TV show "The Owl House", Raine Whispers (nonbinary, brown skin, green hair, wearing glasses, purple mttens, red trousers, a black and dark red jacket and earlaps) and Eda Clawthorne (tall woman with big grey hair), both are in their forties, Eda is wearing red, wide clothes with furry hemline and wrists, a blue cushion stuffed unter the top and a Santa's hat with four green eyes (one on the bobble of the hat), she has thrown her hair forward so she looks like an old man with beard; in her left hand a staff with owlbert (a wooden owl figure) clothed as Christmans elf (green jacket and hat, a mall bell, wooden pointed ears); snow and trees in the background.
  • Digital painting, minimalized comic style: Amity Blight (left), green hair, grey clothes with purple sleeves and trousers, and Luz Noceda (right), dark brown hair, blue and white hoody, greay shorts and dark blue leggins, both kneeling on the floor of a building, looking upwards to a sphere of light, above this sphere the blinking text "Save the Owl House"
  • Digital painting, comic style: Amity Blight of the show "The Owl House" in 3/4 front viewe; a teenager with grape purpled shoulder long hair, she ist wearing a black dress with sleeves and an eclipse amulette around her neck, the ears are pointed; she is blushing, one hand is hidden on the back of her head, the other hidden behind her back.
  • Digital painting, comic style: Amity Blight, character of the tv show The owl house, purple, hair, black dress, red trousers, seen from the front, a medallion with a descending moon's sickle, holding her staff in the air. She is wearing a round bottle at her belt. On her right side ist floating the form of a sword, purple striped and glowing, lilewise a form of a shield on her left side. Staff and Amity also are glowing. A darker shadow and sparkles hint the way from the bottle to the sword and the shield. The background is of tones from green and dark green
  • Digital Painting comic style, light background panel 2: "The KritzOwlToon # 3", "Tomatoes". Two blushing tomatoes, the leaves building the hair of both and two legs and the shoes of the one to the left. The left one has dark brown short hair, the right one light purples falling over the forehead and along the side of the tomato, there is also a hint of brown leaves, the dark green "leg" leaves of the left tomato are lying horizontal on the ground, whit leaves resembling shoes pointing to the sky
  • Digital Art, Comic style: The main protagonist of the animated series "The Owl House", Luz Noceda and her friend Amithy Blight; Luz is at the left, she has pinned a notebook sheet (on which is drawn a glyph) to the right sleeve of her hoodie with a sticky tape. Pinned with another sticky tape to the left sleeve is a huge flapping bird wing which lifts her off the ground. Where the sticky tape is pinned to the wing there is the same glyph as mentioned before but its brightly gleaming blue. Amity is seen from behind in the foreground, she is burying her face in her hands and blushing red til to the top of the ears.
  • Digital paintig, comic style: Amity from the show "The Owl House" (green hair, waving coat) seen from behind, tow purple circles around her hands, in front of her zwei bright turqoise light an a bright white and purple one before a black and orange background on light beige
  • Digitalzeichnung, minimalistischer Comicstil, Fanart: Luz Noceda (braunes Haar) und Amity Blight (grünes Haar mit einem Stück Braun am Stirnhaar), Protagonistinnen der Zeichentrickserie "The Owl House", Hände haltend vor einem leuchtenden Sichelmond tanzend, Luz trägt sowohl Anzug wie auch einen rosanen und einen violetten Rock, dazu braune Stiefel, Amity ein dunkelrosanes Kleid mit einem dunklen Oberteil und Halbschuhe mit dunkelvioletten spitzen und Absätzen, der Hintergrund ist ein leuchtendes vor einem dunklen Violett auf hellem Grund
  • Digitalzeichnung, minimalistischer Comicstil, das Bild zeigt die Protagonistinnen der Serie "The Owl House": Amity Blight (grüne Haare mit einem Rest braun am Stirnhaar), knieend auf einem Tisch, wie sie Luz Noceda (kurzes, dunkelbraunes Haar) aus einem großen Kessel zieht. Luz ist mit violettem Schleim bedeckt, verdreht die Augen und die Zunge hängt ihr aus dem Mund. Beide befinden sich vor einem hohen Fenster, durch das man einen orangenen und roten Himmel sehen kann, dahinter ein verwaschenes Grau vor einem hellen Beige als Hintergrund. Digital painting, minimalized comic style, featuring the main protagonists of the series "The Owl House": Amity Blight (green hair with a rest brown at the forehead's hair) kneeilng on a desk, pulling Luz Noceda (short dark brown hair) out of a big pot, Luz is covered with violett goo, she is twisting her eyes and the tongue is hanging out of her mouth, behin them is a big windowh through which you can see an orange and red sky. the background is a washy grey in front of a light beige.
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Cedrakon

  • Cover Page of Chapter one, depicting a cut from a map, showing a castle and the heraldic animal of Cedrakon, text: "Chapter 1 - A Princess Awakened"
  • Introduction page of Chapter one, depicting a cut from a map, showing a castle and surroundings, text: "Castle Cedrakon, in the heart of the kingdom of Cedrakon"
  • Comic Page 3: Guardswoman Luca on duty in front of the door to the Princess' chamber, a rumblings begins, screams are to be heart
  • Comic Page 4: Luca storms the chamber, the Princess nearly hits her with a candlestick holder, they have to run but the corridor is'n safe, Luca cuts the rope which holds the chandelier at the ceiling, crashing it thereby (offers to be deducted from her pay)
  • Comic Page 5: A glance off the windows, the courtyard isn't safe, too, they have to fly with the helpf of the chandelier's rope through the pit toilette in the back of the bath room
  • Comic Page 6: View from the outside depicting the Princess' Tower, speech ballons showing the descent of Luca and the Princess, squabbling all the way down until the Princess looses footing and falls into the depth
  • Digitalzeichnung, Comicstil: Nahaufnahme auf Lucas Gesicht, die Augen sind weit geöffnet, die Pupillen verkleinert, sie guckt erschrocken, Schweißtropen sind auf der Stirn und an der Schläge zu sehen, in ihren Pupillen spiegelt sich der Tod eines anderen Gardisten
  • Digitalzeichnung, Comicstil: Luca steht in der Mitte des Bildes, hinter ihr eine Türe, die Lanze zwischen zwei Ringe neben der Tür gesteckt, sodass diese versperrt ist, unter der Türe ist ein strahlendgrünes Leuchten zu sehen, an der Wand bourdeauxrote Tapete mit goldenen Verzierungen, Luca schaut an einem Seil hinauf, das aus dem Bild heraus ragt, in einem kleineren Bild in der rechten, unteren Ecke, hält Luca dieses Seil mit der linken Hand und durchtrennt es mit dem Säbel mit der rechten Hand
  • Digitalzeichnung, Comicstyle: Ein kleines in einem großen Panel, im großen ein geräumiges Badezimmer mit viel Gold, viele Kerzenständer, ein Frisiertisch, eine Badewanne in Form des königlichen Wappentieres (eine Art Einhorn-Drache), ein beheizbarer Waschstand, Handtuchhalter, ein Paravent vor einem kleinen Kabuff mit Pelzen, im kleineren Panel eine größere Ansicht dieses Kabuffs, Pelze zur Seite geschoben, ein Seil hängt durch eine Kiste hinab, deren aufgeklappter Deckel ein Loch aufweist.
  • Das Schloss aus Richtung Schlossgarten bei Nacht gesehen, Comicstyle: Zwischen Betrachter und Schloss befinden sich Bäume, im Hintergrund befinden sich Türme und Gemäuer, auf einigen davon sind Flammen zu sehen, die meisten Fahnenmasten und ihre Fahnen brennen, hauptsächlich auf der linken Bildhälfte, im Fokus der Betrachtung steht der Turm, in dem sich das Gemach der Prinzessin befindet, dieser scheint noch unversehrt, obwohl die Flagge mit dem Wappentier bereits zu brennen beginnt, die hellerleuchteten Fenster des Gemachs haben einen ganz leichten Grünstich, aus einem kleinen, dem Schlossgarten zugewandten, Erker hängt ein Seil, das bis zu einem schmalen Sims und einer Türe reicht, zwei Gestalten klettern an dem Seil hinab
  • Digitalzeichnung, Comicstil: Das Bild ist aus einer Perspektive über der Prinzessin gezeichnet, die vom Turm hinab in die Tiefe fällt. Man blickt am Turm entlang hinunter in den Schlossgarten auf die Vorderseite der Prinzessin. Diese trägt ein etwas zerissenes, dreckiges Seidennegligée, ein Fuß noch an der Turmwand, der linke Schuh, noch auf dem Bild zu sehen, hat sich bereits vom Fuß gelöst und fällt ebenso in die Tiere. Sie selber ist ebenfalls noch unfrisiert, die weißblonden, schulterlangen Haare sind schmutzig und zerzaust, sie hat auch Schmutz im Gesicht und an den Gliedern, die rechte Hand fasst nach dem Seil, das von links oben ins Bild hineinragt. In der Tiefe erkennt man mehrere Bäume sowie dunkelgrün den Boden des Schlossgartens.
  • Digitalzeichnung, Comicstil: Die Prinzessin stützt sich auf einem weiblichen Wasserspeier, einer Gargoyle, ab. Die weißblonden, schulterlangen Haare der Prinzessin sind zerzaust und schmutzig, das Negligée ist halb verrutscht, an mehreren Stellen ist es gerissen, von ihr sind nur die Arme, Schultern, Hals und Kopf zu sehen, sie schaut nach rechts oben im Bild. Ihre Hände ruhen auf Schwingen und Schultern der Gargoyle. Die Gargoyle ist nur bis zur Taille im Bild zu sehen, sie besitzt einen menschlichen, muskulösen Oberkörper und menschliche Gesichtszüge. Ihre Hautfarbe ist graublau und sie hat spitze Ohren, sowie kurze Haare, die zum rechten Seitenscheitel getragen sind. Die Augen sind geschlossen. Sie hat das Kinn auf der rechten Faust abgestützt und trägt ein bauchfreies, zerfranstes, hellbraunes Oberteil. Der Hintergrund besteht aus grauem Backstein-Mauerwerk. In einem kleineren, sehr schmalen Panel sieht man, wie sie, die Brauen zusammenziehend, die Augen öffnet.
  • Digitalzeichnung, Comicstil, zwei Panels, ein großes, rechteckiges und ein kleines, quadratisches Panel, Fortsetzung basierend auf dem vorherigen Bild, das große Bild ist aus einer leicht nach rechts geneigten Perspektive: Die Gargoyle schwingt sich mit ausgebreiteten Flügeln von einem Sims am Turm in die Höhe, die Prinzessin klammert sich mit geschlossenen Augen um ihren Hals, ihr rechter Hausschuh löst sich nun ebenfalls bereits vom Fuß. Von oben hängt das das Ende eines Seils ins Bild. Unter ihnen ist noch das rote Dach eines weiteren Gebäudes zu sehen. Der Hintergrund besteht aus einem Sternenhimmel, am unteren Rand ist leichtes gelb-oranger Schimmer am Himmel zu erkennen. Dominiert wird der Nachthimmer von einem großen Vollmond, der einen leichten Grünstich aufweist. Im kleinen Panel sind Ferse und untere Wade der Gargoyle vor dem Sternenhimmel zu sehen, sowie die mit einem weißen Handschuh versehene Hand Lucas, die diese umklammert.
  • Digitalzeichnung, Comicstil: Im Vordergrund, Rückenansicht, befindet sich die Gargoyle, die Schwingen weit ausgebreitet. Auf ihrem Rücken hängt die Prinzessin, Luca hat die Knöchel der Gargoyle gepackt. Die Prinzessin trägt ein dunkelblaues Seidennegligée, auch den verliebene Hausschuh hat sie nun verloren, man sieht ihn in die Tiefe fallen. Luca trägt ihre weiße Uniform, am Gürtel hat sie neben der goldverzierten Säbelscheide auch einen ebenso verzierten Dolch und einen kleinen, weißen Beutel. Diese Flug-Gesellschaft befindet sich in der Luf und steuert auf einen großen Turm mit rotem Dach zu. Dahinter ist eine Schlossmauer zu sehen. Im Hintergrund befindet sich eine grüne Landschaft mit einem Fluss, Wegen, Bäumen und Wäldern unter einem Nachthimmel
  • Digitalzeichnung, Comicstil: Ein großes Panel im Hintergrund und ein etwas kleineres Panel in der linken, unteren Ecke im Vordergrund. Im kleinen Panel liegt Luca bäuchlings im Wasser eines Sumpfes mit zahlreichen, aus dem Wasser ragenden, Pflanzen. Ihre weiße Uniform und verdreckt und zu Teilen mit Sumpfflanzen bedeckt. Im Hintergrund sind Bäume, vom Mondlicht angestrahlt, zu sehen. Im großen Panel landet die Gargoyle ebenfalls im Sumpf, sich mit den Knien abfedernd, Wasser aufspritzend, Zähne zeigend. Die Prinzessin befindet sich in der Luft, Hände voraus in den Sumpf fallend. Auch hier ragen zahlreiche Pfanzen aus dem Sumpf. Im Hintergrund sind dunkle Schemen zu sehen, sowie dahinter ein Sternenhimmel und ein großer, strahlender Vollmond.
  • Digitalzeichnung, Comicstil: Im Vordergrund sieht man rechts den linken Fuß der Prinzessin, sowie ein Teil des Beins und des Negligées. Sie ist barfuß, das Negligée ist mit grünem Sumpfschlamm vollgesogen. Links sieht man den rechten Fuß Lucas, der in einem einstmals weißen, nun an zahlreichen Stellen grünlich verdreckten Stiefel steckt. Ebenso sieht man ihrn Säbel (gleichfalls verdreckt), dessen Spitze sich auf derselben Höhe befindet wie die Spitze eines Fetzens des Negligées der Prinzessin. Zwischen diesen beiden Spitzen ist die Gargoyle etwas weiter im Hintergrund zu erkennen. Diese steht bis zu den Hüften im Sumpf und blickt irritiert nach unten. Sie ist von grünem Sumpfwasser und an mehreren Stellen von Pflanzen bedeckt. Weiter hinter der Gargoyle sind undeutliche, grüne Schemen zu erkennen, sowie dahinter ein Nachthimmel, ein großer, heller Vollmond ist an diesem an einer Position genau über dem Kopf der Gargoyle eingezeichnet.
  • Digitalzeichnung, Comicstil: Eine grüne, nächtliche Landschaft, von Wegen und Bäumen durchzogen, in der Mitte steht das von Wasser umgebene Schloss, einige Feuer brennen, Rauch wird nach rechts hinweggeweht, in der Nähe des Schlosses ist ein kleineres, dafür aber stärkeres Feuer zu sehen. Im Vordergrund sieht man zwei Bäume sowie die Protagonisten von hinten, die auf diese Landschaft hinabschauen. Das Kleid der Prinzessin hat nun die Farbe des Sumpfs angenommen, auch Lucas Uniform ist mit grünen Stellen bedeckt, die Gargoyle hat die Schwingen ausgebreitet und läuft auf den Abhang zu, der die Grenze zur zuvor beschriebenen grünen Landschaft bildet. Der Hintergrund ist ein Sternenhimmel mit einem großen, strahlenden Vollmond, der einen ganz leichten Grünschimmer besitzt.
  • Digitalzeichnung, Comicstil: Die Prinzessin lehnt erschöpft an einem Baum, die Augen geschlossen. Zu ihrer Rechten steht Luca. Deren Handschuhe liegen auf dem Boden, sie hat ihre Uniformjacke ausgezogen und reicht sie der Prinzessin. Im Hintergrund ist der Sumpf zu sehen, sowie weiße Dampfschwaden, dahinter die schwarzen Konturen von Bäumen und darüber ein nächtlicher Sternenhimmel. Auch im Vordergrund befinden sich vereinzelte Sumpfpflanzen, darunter auch eine mit sehr hellem und blaugrünem Blütenkopf.
  • Digitalzeichnung, Comicstil: Luca (links) und die Prinzessin (rechts) lehnen mit dem Rücken an einem Baum, beide sind noch immer vom Sumpf verdreckt, die Prinzessin hat Lucas Uniformjacke als Decke über dem Oberkörper gelegt. Luca starrt vor sich hin, die Prinzessin hat die Augen geschlossen und den Kopf gegen Lucas linke Schulter gelehnt, diese ist an einer Stelle bläulich-grün gefärbt, das (ärmellose) Hemd dort eingerissen. Tränen rinnen über die Wange der Prinzessin, die Nase ist leicht rötlich gefärbt.
  • Digitalzeichnung, Comicstil: Es ist die Gargoyle zu sehen auf einem kleinen Stück Grün vor hellgraumen Hintergrund, die Schwingen sind noch halb ausgebreitet, sie ist leicht vorgeneigt und hält sich den linken Arm, in dessen Oberarm steckt ein abgebrochener Pfeil, rotes Blut rinnt den Arm hinab und mit über die rechte Hand, die diesen hält.
  • Digitalzeichnung, Comicstil: Ein Ausschnitt aus einer Landkarte (Heller Grund), links unten ist ein Teil von Schloss Cedrakon zu sehen, dessen Zentrum ist jedoch weggebrannt, schwarze Brandspuren zieren dessen Rand, das Zentrum der Karte liegt mehr auf eine Ansammlung von Bäumen im Nordosten des Schlosses am Ufer des nahen Flusses, vereinzelte Gebäude, Dörfer und Feldwege sind ebenfalls zu sehen, unterlegt ist das ganze von einem grünen, flügellosen Drachen, der auf der Stirn ein Horn besitzt. In roten Buchstaben steht: "CEDRAKON", darunter "KAPITEL 2" und in geschwungenen Lettern "Die flüchtige Prinzessin"
  • Digitalzeichnung, Comicstil: Ein Ausschnitt aus einer Landkarte (Heller Grund), links unten ist ein Teil von Schloss Cedrakon zu sehen, dessen Zentrum ist jedoch weggebrannt, schwarze Brandspuren zieren dessen Rand, das Zentrum der Karte liegt mehr auf eine Ansammlung von Bäumen im Nordosten des Schlosses am Ufer des nahen Flusses, vereinzelte Gebäude, Dörfer und Feldwege sind ebenfalls zu sehen, Überschrift "Die Everrecksümpfe", darunter, in kleineren Buchstaben "unweit Schloss Cedrakon, im Herzen des Königreichs Cedrakon - oder dem, was davon übrig ist ..."
  • Digitalzeichnung, Comicstyle: Die Protaginistinnen (siehe Beschreibungen zuvor) befinden sich in einem Sumpf auf einem Flecken festeren Untergrundes, im Hintergrund ist tieferer Sumpf zu sehen sowie eine Reihe von Bäumen, im Vordergrund links der Oberkörper der Gargoyle bis etwa Brusthöhe, sie hat das Kinn auf die rechte Faust gestützt und die Augen geschlossen, an einigen Stellen und in den Haaren befinden sich grüne Flecken von getrocknetem Sumpfmorast, an einigen Stellen sind auch (Schnitt-)Wunden zu sehen, in der mittleren Ebene auf der rechten Seite des Bildes Luca, die Prinzessin liegt zusammengekauert neben ihr, den Kopf im Schlaf in Lucas Schoß gelegt, Luca ist wach, der Oberkörper aufgerichtet, sie schaut alarmiert zu der Gargoyle
  • Digitalzeichnung, Comicstil: Luca und die Prinzessin vor dem Baum, an den gelehnt sie geschlafen hatten, im Hintergrund der Sumpf, die Prinzessin steht auf, besorgt zum Betrachter schauend, dabei stützt sie sich an Lucas linker Schulter ab, deren Mimik verzieht sich leicht, an der Schläfe ist ein Schweißtropfen zu sehen, im Vordergrund eine Blume, deren Blüte an eine leuchtende Galaxie erinnert
  • Digitalzeichnung, Comicstil: Orphelya, die weibliche Gargoyle, hockend, wird von der Prinzessin, kniend, am Oberarm verbunden, Orphelya schaut skeptisch auf die Prinzessin, rechts von beiden steht Luca, zwischen den Fingern der rechten Hand den extrahierten Pfeil, an dem noch immer Blut klebt. Im Hintergrund sind Sumpf und Bäume zu sehen, im oberen Teil des Bildes gehen die über in eine andere Szene, die bei Nacht spielt und die Schlossmauern zeigen, Feuerschein spiegelt sich auf diesen wieder, auf einem Turm links brennt eine Flagge, auf einem Turm rechts weht eine Flagge mit einem grünen Drachen drauf, Pfeile und Bögen sind zum Himmel gereckt, wo sich vor den Sternen ist die schwarze Silhouette Orphelyas zu sehen. Umrandet ist diese zweite Szenerie von einem gelb-weißen Schimmer, der sie von der Szene im Sumpf abgrenzt
  • Digitalzeichnung, Comicstil: Eine Landkarte, die grob in vier Bereiche unterteilt ist, in deren Zentrum jeweils ein stilisierter Einhorn-Drache (Cedrakon) unterschiedlicher Farben und Konturen steht. Im Nordosten "Rubinia" (weite Ebenen, vereinzelte Wälder, Berge und ein Vulkan im Norden), ein roter, feuerspeiender Drache mit Flügeln, im Südosten "Smaraktia" (sehr waldreich), ein grüner Drache ohne Feuer und ohne Flügel und im Westen Akmarina (Küste, viele Inseln, Klippen), ein blauer Drache ohne Feuer und ohne Flügel, jedoch mit einer langen Rücken-, sowie Brust- und Bauchflossen. In einem Gebiet, in dem sich diese Reiche (hypothetisch) treffen, "Ambria" (Wüstengebiet), ein gelber Drache mit Flügeln und Feuer, jedoch ohne Beine und statt mehrerer Zähne lange Giftzähne im Oberkiefer, der Name "Ambria" ist mit einem Totenkopfsymbol versehen. Die Grenzen der übrigen Reiche verlaufen durch dieses Gebiet und treffen sich in dessen Mitte.
  • Digitalzeichnung, Comicstil: Der Schlossgarten bei Nacht, drei Bäume im Hintergrund, im Vordergrund ein weiterer, Gras, Nüsse und Blumen (die Blüten geschlossen) auf einer Wiese, ebenso im Vordergrund ein dunkelgrünes Wesen von hinten, man sieht nur die Vorderbeine, Kopf und Hals, spitze Eckzähne ragen seitlich aus dem Maul, der Kopf senkt sich gen Boden, die Schnauzenspitze an einem der Hausschuhe der Prihnzessin, der dort im Gras liegt, leuchtendgrüne Schwaden umgeben die Schnauzenspitze des Tiers und die Unterschenkel; weiter im Hintergrund die Mauer des Schlossgartens, dahinter ein Turm, die Flagge, die an dessen Flaggenmast gehisst ist, brennt nach rechts wehend, dahinter der Nachthimmel mit Sternen
  • Digitalzeichnung, Comicstil: Der Schlossgarten bei Sonnenaufgang, drei Bäume im Hintergrund, im Vordergrund ein weiterer, Gras, Nüsse und Blumen (die Blüten geöffnet) auf einer Wiese, im Vordergrund einer der Hausschuhe der Prinzessin in einem dunkleren Bereich des Rasens und ungewohnt glanzlos, mehrere zertrampelte Nüsse liegen ebenso an dieser Stelle, um den Schuh herum verblassende, hellgrüne Schwaden, orangenes Licht der aufgehenden Sonne füllen die rechte Seite des Bildes, sowie den Himmer im Hintergrund, ebenso im Hintergrund ein Turm, die Flagge nach links wehend, sie zeigt ein grünes, reptiloides Wappentier
  • Digitalzeichnung, Comicstile: Rechts vorne im Vordergrund die Prinzessin, sie schaut mit großen Augen in die Kamera. In ihrem Ausschnitt ist der Kopf einer gelben Ente zu sehen, links im Bild hinter ihr stehen Oprhelya (ganz links) und Luca (rechts daneben), Orphelyas Augenlider und auch die Schwingen hängen recht kraftlos herab, an den Krallen der rechten Hand hat sie mehrere rot-rosane Beeren, die sie gerade isst, einen Kern hat sie ausgespuckt, der sich noch auf dem Weg zu den Kernen in ihrer linken Hand befindet. Diese reicht sie Luca, die wiederum die Kerne in ihrem Beutel zu verstauen versucht, einen skeptischen Seitenblick jedoch Richtung Prinzssin wirft. Alle drei Charektere sind noch mit dem Dreck des Sumpes auf Haut, Kleidung und Haar gezeichnet. Im Hintergrund ist eine Reihe Büsche mit eben diesen Beeren zu sehen, dahinter Bäume und hinter diesen ein verwaschener Grün-Himmelblauer Hintergrund.
  • Digitalzeichnug, Comicstil: Eine humanoide, echsenartige Kreatur, Kleider bedecken Kopf, Hals und Schwanz, zudem trägt sie einen Gürtel und einen hölzernen Krumm-Dolch. Sie beugt sich über ein dunkelgrünes Kleid auf dem Boden, dies findet in einem Waldsumpf statt, weshalb der Hintergund grünlich ist, zugleich spielt die Szen auf einer Lichtung, sodass man ebenso den Himmel sehen kann
  • Digitalzeichnug, Comicstil: Eine humanoide, echsenartige Kreatur, Kleider bedecken Kopf, Hals und Schwanz, zudem trägt sie einen Gürtel und einen hölzernen Krumm-Dolch. Sie stürzt von einer gelben Entenfigur ausgeknockt zu Boden. Dort liegt ein dunkelgrünes Kleid. Dies findet in einem Waldsumpf statt, weshalb der Hintergund grünlich ist, zugleich spielt die Szen auf einer Lichtung, sodass man ebenso den Himmel sehen kann
  • Digitalzeichnung, Comicstil: Eine gelbe Holzente in Großaufnahme im sumpfgrünen Gras. Sie lächelt fröhlich und glänzt in der Sonne, Wassertropfen haften an ihr, das Schwanzgefieder beinhaltet einen kleinen Hebel, am Po sind jedoch auch mehrere Kratzer zu sehen, von Dunkel- ins Hellblaue verlaufender Hintergrund
  • Digitalzeichnung, Comicstil: Szenerie ist der Rand eines Sees, helles Tageslicht, verschwommene Schemen von Bäumen im Hintergrund: Luca (junge Frau, schwarze, kurze Haare) in ihrer Gardistinnenuniform (weiß mit goldenen verzierungen, an der linken Schulter jedoch zerrissen, sie hat dort auch einen blauen Fleck) von hinten gesehen. Sie schwingt den Säbel von links nach rechts oben, Haare, Körper und der Beutel am Gürtel schwingen mit der Körperdrehung mit, die Säbelspitze zeigt auf ein dinosaurierähnliches Wesen (Typ Raptor) mit rot-violett-blauer Befiederung und orangenem Federflaum am Körper, der sich im Sprung auf sie befindet. Auf dessen Rücken sitzt eine humanoide Echse, die einen Holzspeer schwingt. Links von Luca die Prinzessin im orangenen Unterkleid, einen Dolch in ihrer linken Hand haltend, in ihrer rechten die gelbe Holzente Emil zum Wurf gehoben, zielend auf einen weiteren Raptor im Sprung kurz vor der Landung
  • Digitalzeichnung, Comicstil, verwaschener grauer Hintergrund auf hellem Grund: "Luca", eine junge Frau mit kurzen, schwarzen Haaren, in der Linken eine weiße Lanze haltend, eine weiße Uniform tragend, auf der Brust eine rote, drachenähnliche Figur, am Gürtel links ein Säbel, rechts ein schmaler Beutel, sie trägt außerdem große, verzierte Kniestiefel; auf der linken Seite des Bildes ein (leerer) weißer Helm mit Drachenflügeln als Ohren, sowie ein ebenso leerer, weißer Umhang, sämtliche Kleidung ist gold verziert; Text (rechts) Lanze (Dienstwaffe); Rangabzeichen (Drei Streifen = Prinzessinnengardistin) Jacke aus festem Stoff (Lederverstärkung im Brustbereich); Königliches Wappentier Cedrakon; Verzierte Gürtelschnalle mit Wappentier; Zeremoniesäbel (Sekundärwaffe/Nahkampfwaffe); Dolch (Rückseite)(Seitenwaffe, mehr Werkzeug denn Waffe); Beutel (nicht offiziell aber sehr nützlich); Hose aus festem Stoff; Kniestiefel, reichlich verziert; (links) Helm (für zeremonielle Zwecke); Umhang (für zeremonielle Zwecke)
  • Digitalzeichnung, Comicstil, Charakterbogen mit Beschriftungen: Orphelya, ein weiblicher Gargoyle, ein Mischwesen mit Menschenkörper, Fledermausflügeln, Reptilienschwanz, mit Klauen an Händen und Füßen, spitze Ohren, kurze Haare im glatten Scheitel nach rechts, die Haut wie Stein wirkend, ausgefranster Oberteil und Hüftrock als Kleidung. Zum Start von links nach rechts durchs Bild laufend, nach schräg oben schauend. Der Charakterbogen beschreibt die Eigenschaften Orphelyas: Name von "Oohrr, verfluchter ...!" - Ausruf eines Menschen, der zum ersten mal einen Gargoyle sieht; Kräftige Schwingen, tagsüber Aufnahme von Sonnenenergie, kann auch Blitze aufnehmen, muss sie aber direkt wieder ableiten, keine guten Flieger, Gleitflug; scharfe Sinne, Lauerjäger; Kleidung stets das, was man irgendwo finden kann; Klauen können fast überall emporkletter; Muskulöser Körper, agil und kraftvoll; Schwanz zur Balance oder als Blitzableiter; Starke Sprungbeine
  • Digital painting, comic style: Guardswoman Luca (young woman, short black hair, white uniform with a red dragon on the chest, holding a spear in her left hand, there also is a sabre hanging from her left hip), facing the viewer, eyes and mouth are wide open, in the background an almost full green moon, the shadow building two horns to the sides of Luca's head; a green front glow is facing Luca; the word "Taurus" is written on the moon; a night sky with stars and the Taurus constellation in the background.

Jack'Hill'n'Haid

  • Cover painting comic style, digital painting: Dr. Jacky Hill (white woman, red hair, rectangular glasses, white tank top, blue shorts) and Dr. Eliza Hill (woman of colour, round glasses, white polo shirt, white trousers, taking off a doctor's coat) in front of a Lesbian Pride Flag, the background being a night skyline with several skyscrapers, on the night sky a full moon.
  • Cover painting comic style, digital painting: Dr. Jacky Hill (white woman, red hair, rectangular glasses, white tank top, blue shorts) and Dr. Eliza Hill (woman of colour, round glasses, white polo shirt, white trousers, taking off a doctor's coat) in front of a night skyline with several skyscrapers, on the night sky a full moon
  • Digitalzeichnung, Comicstil auf hellem Grund: Eine Frau mit dunkler Haut und dunklem Haar (Stirnhaare dunkelrot gefärbt). Weißes Poloshirt, Weiße Jogginghose und weiße Schlupfschuhe, Brile mit großen, runden Gläsern und dunkelblauem Rand. Auf der Brusttasche des Poloshirts die Kontur eines roten Kreuzes. Sie zieht gerade ihren Doktorkittel aus. Sie schaut zu einer Frau neben ihr rechts im Bild ("Dr. Jacky Hill") in weißem Tanktop, Jeansshorts und Sneakern, einem Namensschild an der Brust und eine Brille mit rechteckigen Brillengläsern, die Haare rot und kinnlang, ein Reagenzglas betrachtend, aus dem lila Schaum quillt. Rechts von dieser eine muskulöse Frau mit Haifischflossen auf Rücken, Hüften, Knien und Fersen, das violett-rote Haar ist wie eine Haifischflosse geformt, fünf einzelne Strähnen fallen ihren Hals entlang, sie hat spitze Ohren und trägt die Kleidung von Dr. Hill. Diese ist zerrissen. Sie bäumt sich auf, die Augen geschlossen, die linke Hand in die Höhe gereckt, darin die Brille zerquetschend
  • Digitalzeichnung, Comicstil auf hellem Grund: Eine Frau mit dunkler Haut und dunklem Haar (Stirnhaare dunkelrot gefärbt). Weißes Poloshirt, Weiße Jogginghose und weiße Schlupfschuhe, Brile mit großen, runden Gläsern und dunkelblauem Rand. Auf der Brusttasche des Poloshirts die Kontur eines roten Kreuzes. Sie zieht gerade ihren Doktorkittel aus.
  • Digitalzeichnung, Comicstil, heller Hintergrund: Links eine Frau in weißem Tanktop (Dr. Jacky Hill), Jeansshorts und Sneakern, sie trägt ein Namensschild an der Brust und eine Brille mit rechteckigen Brillengläsern, ihre Haare sind rot und kinnlang. Sie betrachtet ein Reagenzglas, aus dem lila Schaum blubbert.
  • Digitalzeichnung, Comicstil, heller Grund: Eine Frau mit dunkler Haut und dunklem Haar (Stirnhaare dunkelrot). Poloshirt, Jogginghose und Schlupfschuhe weiß, Brile mit runden Gläsern und dunkelblauem Rand. Auf der Brusttasche die Kontur eines roten Kreuzes. Sie zieht gerade ihren Doktorkittel aus. Sie schaut zu einer Frau an ihrer Seite in der Mitte des im Bildes ("Dr. Jacky Hill") in weißem Tanktop, Jeansshorts und Sneakern, einem Namensschild an der Brust und eine Brille mit rechteckigen Brillengläsern, die Haare rot und kinnlang, ein Reagenzglas betrachtend, aus dem lila Schaum quillt.
  • Digitalzeichnung, Comicstil, heller Hintergrund: Links eine Frau in weißem Tanktop, Jeansshorts und Sneakern (Dr. Jacky Hill), sie trägt ein Namensschild an der Brust und eine Brille mit rechteckigen Brillengläsern, ihre Haare sind rot und kinnlang. Sie betrachtet ein Reagenzglas, aus dem lila Schaum blubbert. Rechts neben ihr eine muskulösere Frau mit Haifischflossen auf Rücken, Hüften, Knien und Fersen, auch das violett-rote Haar ist wie eine Haifischflosse geformt, fünf einzelne Strähnen fallen ihren Hals entlang, sie hat spitze Ohren und trägt die Kleidung von Dr. Hill. Diese ist jedoch zerrissen, die Schuhe zerstört. Sie bäumt sich auf, hat die Augen geschlossen und die linke Hand in die Höhe gereckt, in dieser zerquetscht sie die Brille. Digital Painting, comic style: On the left a woman with white tankt top, jeans shorts and rectangle glasses ("Dr. Jacky Hill), her hair is red and at chin level. She is watching a test tube with bubbling purple foam. On the right a muscular woman with shark's fins on the back, the hips, knees and heels. The hair is also formed like a shark's fin, five streaks are falling along her neck. She has pointed ears and is wearing Dr. Hills clothes, though they are torn apart, the shoes destroyed almost entirely. She is in a raising position, eyes closed, the left arm raised in the air, crunching the glasses in her fist.
  • Digitalzeichnung, Comicstil auf hellem Grund: Eine muskulöse Frau mit Haifischflossen auf Rücken, Hüften, Knien und Fersen, das violett-rote Haar ist wie eine Haifischflosse geformt, fünf einzelne Strähnen fallen ihren Hals entlang, sie hat spitze Ohren und trägt weißes Tanktop, Jeansshorts und Sneakers, diese sind allerdinsg zerrisen. Sie bäumt sich auf, die Augen geschlossen, die linke Hand in die Höhe gereckt, darin eine Brille zerquetschend.
  • Digital painting, comic style: Liz (left) and Jacky (right), two young woman in side view, Liz hugging Jacky, watching her worried, Jacky's eyes are closed; Liz has dark brown skin and short brown hair, the forehead part of the hair is dyed dark red, she wears a white shirt, white trousers, blue round glasses; Jacky is from white colour with red shoulder long hair; she's kneeling on the bed, wrapped into a mauve blanket; in the background a valet stand with torn and dirty white tanktop and blue jeans shorts, next to Jacky a pink cushion and a night table with a digital alarm clock ("1:04 am") and destroyed rectangular glasses on it; there is also a slightly opened glass door (cracks in the glass, the curtain blowing) and the balcony (claw marks on it) with a view onto skyscrapers, the lights of the city and a night sky; Jacky's left hand rests on Liz' right shoulder, it is glowing blue, weebing is visible between the finger, the thumb has a clawlike nail, speechalloons (Liz: "Everything alright, Love?", Jacky: "Yeah, everything ... alright", thinking: "WTF happened last night??!")
  • Digital painting, comic style: Liz (left) and Jacky (right), two young woman in side view, Liz hugging Jacky, watching her worried, Jacky's eyes are closed; Liz has dark brown skin and short brown hair, the forehead part of the hair is dyed dark red, she wears a white shirt, white trousers, blue round glasses; Jacky is from white colour with red shoulder long hair; she's kneeling on the bed, wrapped into a mauve blanket; in the background a valet stand with torn and dirty white tanktop and blue jeans shorts, next to Jacky a pink cushion and a night table with a digital alarm clock ("1:04 am") and destroyed rectangular glasses on it; there is also a slightly opened glass door (cracks in the glass, the curtain blowing) and the balcony (claw marks on it) with a view onto skyscrapers, the lights of the city and a night sky; Jacky's left hand rests on Liz' right shoulder, it is glowing blue, weebing is visible between the finger, the thumb has a clawlike nail
  • Early concept, digital painting, Comic style: Liz (left) and Jacky (right), two young woman in side view, Liz hugging Jacky, watching her worried while Jacky's eyes are closed; Liz has dark brown skin and short brown hair, neatly combed, the forehead part of the hair is dyed dark red, she wears white a white shirt, white trousers and blue round glasses; Jacky is from white colour with red shoulder long hair, she is wearing rose night dress (bellyfree top, short pants); Jacky's left hand rests on Liz' right shoulder, it is blue with lighter blue parts, of the finger tips you can only the thumb which has a clawlike nail, webbing is likewise visible between the fingers and the thumb, there also is a dark blue glow around the hand.
  • Digital Painting, comic style, bright background: On the left a woman of white skin colour wearing white tanktop, jeans shorts and sneakers. She is wearing a namebadge ("Dr. Jekyll" and rectangled glasses, her hair is read and at chin level. She is watching a test tube with bubbling purple foam. On the right a shadow of a musculare female figure with shark fins, the left arm raised as background to a pink coloured text with background information: "Dr. Jacqueline Kiefer-Hill (né Kiefer), called „Jacky Hill“, a biochemist who came from Germany as an exchange student to gain her Ph.D. At university she met doctoral candidate of the Medical Sciences Eliza Hill, now Dr. Eliza Kiefer-Hill, fell in love with her, married her – and stayed. She loves her wife and she loves bad punes and play on words. She also loves to watch movies, going to the theatre whenever possible. Though, she usually skips her maiden name since English speakers never get it right. Still, she never gets tired to tell her wife, that „Kiefer“ is the German word for „Jaws“ who in return made this Jacky's nickname. Jacky now is working at BigPharma Labs (BPL), a big research institute in the heart of the city. Her main research project is wrapped around the topic of defeating diseases like cancer by using the DNA of sharks. She is very focussed on this goal but after one evening in the labs which she doesn’t remember at all, she sometimes doesn’t feel the same as before …"
  • Digital painting, comic style, light background: A woman of colour with short dark hair (the forehead hair is dyed dark red), wearing a white polo shirt, white sweatpants and white slippers as well as round glasses with a dark blue rim. On the breast pocket is the shape of red cross. She is taking off her doctor's coat. On the right a rose text with background information: "Dr. Eliza Kiefer-Hill (né Hill), called „Liz“. She is fromthe westcoast and moved to the eastcoast to get her doctoral grade. She gained it at the same time as Jacky and as soon as they met, they got on like a house on fire. Sometimes she is missing the warm weather of the westcoast and in particula the sea. There is sea here too - but it’s a cold, unfriendly sea, nothing like the sea she learned to love at home. She is working as an emergency doctor at the local district’s general hospital. Her thinking is a very straightforward one and her approach to the job differs from the one of her wife. She doesn’t aim on the good of the whole world, she simply wants to save the lives of the badly injured at hand."

More Fanart

  • Digital painting, comic style: Vi (right) and Caitlyn (left), charactes of the TV show "Arcane" in side view, showing the heads and necks; both are youn women; Caitlyn has long, dark blue hair, she is from asian read phenotype and has a rather light skin colour, Vi has a sidecut, the hair falling to her right face side, she has one tattoo on her neck in form of a cogwheel and one on her cheeck saying "VI", she has two ear piercings and one nose piercing, there is a scar on her eyebrow and two on her lips, she has slightly visible freckles; they are exchanging glances, the lips and the noses are close together, the edges of the painting are diffused.
  • Digital painting, comic style: Caitlyn (left) and Vi (right) from the Netflix show "Arcane", Caitlyn a young tall woman with shoulder long dark blue hair, she is in her enforcers uniform (blue with golden ornaments with brown finger free gloves), tightening her shoulders, pointing the palms upwards and blushing; Vi, a muscular young woman with red short pink hair in a wild sidecut, wearing a red jacket and bandages around lower arms and wrists, crossing arms while looking out of the cornerr of her eyes to Caitlyn; dialogue text, Cait: "She just blew my mind", Vi: After I blew up your house", "After she ... wait, what??!"
  • Digital painting, comic style: Marcy Wu, a supporting character of the TV show Amphibia in a black and purple armor, she is a girl of 13 with black, short hair, green gleaming moss is growing on it, the hair and both hands are covered by a light green glow, the right hand is a fest, her brows are wrinkled, the hair is floating in the air, green lights are surrounding her had, pushing shards of a not recignisable object away, ten washy firelike eyes are adjusted to these shards, a 11th on is on her chest, bothered by another green light and a gem like contour, light green text "Knowledge is power" and light text "Well ... I'm back".
  • Digital painting, comic style: The character Terri from the show Amphibia, a young woman with short blue hair and freckles, wearing a shirt under a sleeveless sweater and a lab coat, there is a badge in the form of a slice of pizza with the Pi symbol on it; her left hand is in her hip, the right hand is rised to head level and is holding a lab ID card.
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